Carlos Ucedda: Inflatable e-Doll — Part One
Carlos Ucedda’s Inflatable e-Doll — Part One: A Hypnotic Dive into Desire and Identity
by Jack Rush
Carlos Ucedda’s Inflatable e-Doll — Part One is an intoxicating fusion of synth-pop and atmospheric electronica, a track that blurs the lines between nostalgia and innovation. With a soundscape that echoes the brooding romanticism of The Cure and the futuristic playfulness of Grimes, the song embodies a raw yet carefully crafted DIY ethos. Pulsing beats, layered synths, and subversive vocal treatments pull the listener into a neon-lit dream world—both hypnotic and haunting.
What makes Inflatable e-Doll — Part One truly stand out is its conceptual depth. Ucedda explores agalmatophilia, an unusual yet thought-provoking theme centered on attraction to statues, dolls, or mannequins. This lends the track an eerie sensuality, evoking a surreal love story between human and machine. The shimmering instrumentals heighten this sense of emotional detachment and longing, creating a sonic landscape that feels both intimate and otherworldly. The result is a pop odyssey that challenges conventional storytelling while remaining irresistibly danceable.
The accompanying music video embraces a hyper-stylized, bubblegum-pop aesthetic, bathing Ucedda in striking shades of pink. This visual contrast enhances the song’s unsettling undertone, offering a playful yet commanding portrayal of power, obsession, and desire. There’s an undeniable theatricality in Ucedda’s presence, reminiscent of David Bowie’s transformative artistry—bold, enigmatic, and unapologetically expressive.
Sonically, the track draws from the melancholic, synth-driven anthems of the ‘80s and ‘90s, evoking artists like Jay-Jay Johanson while injecting a sleek, modern electronic pulse. As part of Proyecto 2 (BILOGY/DILOGY)—a two-part artistic statement—the song represents one half of a greater conceptual duality, much like yin and yang. This sense of contrast and balance is woven throughout the music, reflecting themes of attraction, detachment, and the blurred boundaries between artificiality and emotion.
Listeners may find echoes of Lars and the Real Girl, reimagined for a generation grappling with love and identity in the digital age. The song’s structure and tonal shifts feel like an ascent—perhaps a nod to Ucedda’s vision of a sensual airplane journey, symbolizing both escape and transcendence.
Ultimately, Inflatable e-Doll — Part One is a bold and evocative statement, seamlessly blending philosophy with infectious pop hooks. Ucedda’s ability to weave complex themes into accessible, mesmerizing music is a testament to his artistic vision. It’s a track that is at once provocative and reflective, futuristic and nostalgic—one that lingers in the mind long after the final note fades.
We've added this standout release to our Rattler Choons playlist and eagerly anticipate the next chapter from Ucedda’s ever-evolving world.
Have a listen and connect with Carlos Ucedda:
Facebook Carlos Ucedda (@carlosucedda) • Instagram photos and videos
